Simona Dinnerstein: New Works For Goldberg Variations — Simona Dinnerstein

Faye Driscoll: Thank You For Coming: Space — Faye Driscoll: Thank You for Coming: Space

The Auditions Martha Graham — Martha Graham Dance Company: The Auditions

july mike gordon — July: Michael Gordon, Vicky Chow, Brian Brooks

The Romance of the Rose Peak Performances Featured — Kate Soper

Double Edge Theatre – Leonora And Alejandro: La Maga Y El Maestro

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Montclair State University

Take a moment to view the work by our community of artists.

Kate Soper: Wet Ink Archive

An online journal of adventurous music curated by the musicians of the Wet Ink Ensemble, and a digital repository for Wet Ink’s twenty-plus years of live concert and studio recordings.

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Inspiring Mathematical Creativity through Juggling

An article published by the Journal of Humanistic Mathematics written by Ceire Monahan, Mika Munakata, Ashwin Vaidya of Montclair State University in collaboration with Gandini Juggling and PEAK Performances @ Montclair.

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Sonic Bites

Over the coming months we will present the work of 21 artists in a sensory series of audiovisual appetisers. Broadcast at 13.00 GMT on the second and fourth Thursday of every month, Sonic Bites offers you a welcome lunchtime break. Down tools and indulge in some digital delights to invigorate and inspire for the afternoon ahead. It is time to take your lunch break and savour a Sonic Bite…

We start on Thu 10 September with Gavin Bryars’ The Other Side of The River performed by Third Coast Percussion and featuring visuals by Laura Colmenares Guerra which was part of Cryptic’s production, “See You Later” (2016), Commissioned by Peak Performances, @ Montclair State University.

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Michael Gordon, Vicky Chow, Brian Brooks

July

A daily piano piece every day in July composed by Bang on a Can founder Michael Gordon, performed by pianist, Vicky Chow, and choreographed by Brian Brooks. He listens to Vicky’s daily postings, then the very same day creates and posts on his instagram account.

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Susan Marshall: Frame Dances

Frame Dances (2008–2010) is an exploration of scale and mediation—a collection of dances and films exposing and theatricalizing the act of digital reproduction. How does the recorded mediate our experience of the live? How does the confined framing of the dance hide the labor of others working outside of the frame to make the dance possible?

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