Tag: Dance

Thank You For Coming: Space

Thank You For Coming: Space

Event

The final work in Faye Driscoll’s three-part Thank You For Coming series, Space is an intimate shared performance, and a liberatory ritual that confronts life’s most notable transition. Alone with the audience, Driscoll constructs a temporary world upheld by pulleys, ropes and the weightiness of others, to invoke the sensations of absence. At the center of the work is the human body—built for action, self contained, and driven by its longing for the felt world. Space calls forth new presences and offers an enlivened contemplation of our shared conclusion.

Thank You For Coming: Space

Thank You For Coming: Space

Event

The final work in Faye Driscoll’s three-part Thank You For Coming series, Space is an intimate shared performance, and a liberatory ritual that confronts life’s most notable transition. Alone with the audience, Driscoll constructs a temporary world upheld by pulleys, ropes and the weightiness of others, to invoke the sensations of absence. At the center of the work is the human body—built for action, self contained, and driven by its longing for the felt world. Space calls forth new presences and offers an enlivened contemplation of our shared conclusion.

Thank You For Coming: Space

Thank You For Coming: Space

Event

The final work in Faye Driscoll’s three-part Thank You For Coming series, Space is an intimate shared performance, and a liberatory ritual that confronts life’s most notable transition. Alone with the audience, Driscoll constructs a temporary world upheld by pulleys, ropes and the weightiness of others, to invoke the sensations of absence. At the center of the work is the human body—built for action, self contained, and driven by its longing for the felt world. Space calls forth new presences and offers an enlivened contemplation of our shared conclusion.

Thank You For Coming: Space

Thank You For Coming: Space

Event

The final work in Faye Driscoll’s three-part Thank You For Coming series, Space is an intimate shared performance, and a liberatory ritual that confronts life’s most notable transition. Alone with the audience, Driscoll constructs a temporary world upheld by pulleys, ropes and the weightiness of others, to invoke the sensations of absence. At the center of the work is the human body—built for action, self contained, and driven by its longing for the felt world. Space calls forth new presences and offers an enlivened contemplation of our shared conclusion.

Elizabeth, the Dance

Elizabeth, the Dance

Event

Imagine a world in which classical ballet, modern dance icon Martha Graham, and questions of cultural appropriation collide with clowns, basketball players, and hula dance, and you may begin to grasp the creative force, intelligence, and wit of choreographer Ann Carlson. In “Elizabeth, the dance,” she pays homage to “the visionaries and teachers” of modern...

Elizabeth, the Dance

Elizabeth, the Dance

Event

Imagine a world in which classical ballet, modern dance icon Martha Graham, and questions of cultural appropriation collide with clowns, basketball players, and hula dance, and you may begin to grasp the creative force, intelligence, and wit of choreographer Ann Carlson. In “Elizabeth, the dance,” she pays homage to “the visionaries and teachers” of modern...

Elizabeth, the Dance

Elizabeth, the Dance

Event

Imagine a world in which classical ballet, modern dance icon Martha Graham, and questions of cultural appropriation collide with clowns, basketball players, and hula dance, and you may begin to grasp the creative force, intelligence, and wit of choreographer Ann Carlson. In “Elizabeth, the dance,” she pays homage to “the visionaries and teachers” of modern...

Elizabeth, the Dance

Elizabeth, the Dance

Event

Imagine a world in which classical ballet, modern dance icon Martha Graham, and questions of cultural appropriation collide with clowns, basketball players, and hula dance, and you may begin to grasp the creative force, intelligence, and wit of choreographer Ann Carlson. In “Elizabeth, the dance,” she pays homage to “the visionaries and teachers” of modern...

Field

Field

Event

Alastair Macaulay of The New York Times calls choreographer Liz Gerring’s mind, “warmly modernist: scientific but also passionately and infectiously in love with movement.” Gerring returns to the Kasser with “field,” the third in a trilogy of works created in collaboration with composer Michael J. Schumacher and designer Robert Wierzel, all commissioned and produced by...

Field

Field

Event

Alastair Macaulay of The New York Times calls choreographer Liz Gerring’s mind, “warmly modernist: scientific but also passionately and infectiously in love with movement.” Gerring returns to the Kasser with “field,” the third in a trilogy of works created in collaboration with composer Michael J. Schumacher and designer Robert Wierzel, all commissioned and produced by...

Field

Field

Event

Alastair Macaulay of The New York Times calls choreographer Liz Gerring’s mind, “warmly modernist: scientific but also passionately and infectiously in love with movement.” Gerring returns to the Kasser with “field,” the third in a trilogy of works created in collaboration with composer Michael J. Schumacher and designer Robert Wierzel, all commissioned and produced by...

Field

Field

Event

Alastair Macaulay of The New York Times calls choreographer Liz Gerring’s mind, “warmly modernist: scientific but also passionately and infectiously in love with movement.” Gerring returns to the Kasser with “field,” the third in a trilogy of works created in collaboration with composer Michael J. Schumacher and designer Robert Wierzel, all commissioned and produced by...

Thank You for Coming: Attendance and Play

Thank You for Coming: Attendance and Play

Event

“Thank You for Coming, [an] ambitious new series of works, is no less than a new vision of society.” — The New Yorker Faye Driscoll is an award-winning choreographer and director whose work has been described as “creative, awkward, hilarious, goofy, surprising, rowdy, randy, chaotic, and sweet.” (Berkshire Eagle) Thank You for Coming is her...

Thank You for Coming: Attendance and Play

Thank You for Coming: Attendance and Play

Event

“Thank You for Coming, [an] ambitious new series of works, is no less than a new vision of society.” — The New Yorker Faye Driscoll is an award-winning choreographer and director whose work has been described as “creative, awkward, hilarious, goofy, surprising, rowdy, randy, chaotic, and sweet.” (Berkshire Eagle) Thank You for Coming is her...

Thank You for Coming: Attendance and Play

Thank You for Coming: Attendance and Play

Event

“Thank You for Coming, [an] ambitious new series of works, is no less than a new vision of society.” — The New Yorker Faye Driscoll is an award-winning choreographer and director whose work has been described as “creative, awkward, hilarious, goofy, surprising, rowdy, randy, chaotic, and sweet.” (Berkshire Eagle) Thank You for Coming is her...

Thank You for Coming: Attendance and Play

Thank You for Coming: Attendance and Play

Event

“Thank You for Coming, [an] ambitious new series of works, is no less than a new vision of society.” — The New Yorker Faye Driscoll is an award-winning choreographer and director whose work has been described as “creative, awkward, hilarious, goofy, surprising, rowdy, randy, chaotic, and sweet.” (Berkshire Eagle) Thank You for Coming is her...